What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
If you like your music country/folk-ish with a difference, Joshua James new album Build Me This might be of interest. No Depression, the roots music blog, describes the album as a hybrid of “chain-gang chants, country-fuzz rave-ups, gospel rafter-raisers, southern blues grinds, and civil war camp songs.” Try not to be taken aback by the Jared Leto-in-a-mud-mask cover art.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
Last week, we reported that Stephen King’s first hard-boiled detective novel, Mr. Mercedes, will be out this June. If thrillers aren’t your thing, though, King has another horror novel coming out this November, Revival. It tells the story of the dangerous bond between a charismatic minister and a heroin addict musician.
“I feel very transparent to myself. I’m more like an observer. I’m interested in what’s going on. I’m not sure that I really have a personality,” Joyce Carol Oates said in The New Yorker’s micro documentary about her writing life and routine. Pair with: our essay on Oates’ The Accursed.