What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. “Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting” and “The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. ” Rest in peace Ms. Grafton.
“What I’ve found is that a lot of soldiers are surprisingly apolitical. Their reality is, ‘Today I’m going to leave the gate for twelve hours, and I’m going to make it back to the dining facility by sundown with the arms and legs of me and my buddies intact.’ So you say, ‘Well, what about the Project for the New American Century and the preexisting agenda blah blah blah?’ They go, ‘Yeah, that’s cool, but I have to get through today.’ So their reality is not a political reality as much as it’s, ‘If I’m driving by this piece of garbage, will it blow up?'” Revisit this old interview with Henry Rollins over at Guernica Magazine, which manages the nearly impossible: to be both level-headed and political.
As an Editor-at-Large at Interview Magazine, Christopher Bollen has talked with everyone from Joan Didion to Renata Adler to Michael Stipe. Last Friday, he became an interview subject himself, sitting down with Tom Barbash at Salon to talk about his new novel, Orient. Sample quote: “I know I’m supposed to have the young characters constantly on Snapchat and Instagram and every adult is falling asleep at night to a Netflix marathon.”
In their latest Trend Watch, Merriam-Webster announced they’ve been seeing more searches for “Kafkaesque,” a spike they attribute to British publishers writing about Booker winner Han Kang. Since the word is so overused, it’s worthwhile to ask: just what does it actually mean now, anyway? Allison Flood tries to pin it down at The Guardian.
“Even with such apparently juicy material, blithe self-exposure quickly grows dull. Their mutual trust comfortably established, Marsha, Emily, and Vincent unleash endless confession, allowing one another to stand in for the analysts they aren’t seeing over the summer. Nobody has to coax anything out of anyone.” On the age of social media and the novel Talk by Linda Rosenkrantz.