What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
What's better than slash fiction about your favorite authors? Slash sestinas about your favorite authors. At The Toast, Jade Sylvan writes three sestinas pairing Jack Kerouac and Allen Ginsberg, F. Scott Fitzgerald and Ernest Hemingway, and J. R. R. Tolkien and C. S. Lewis. "Two friends, writers, men,/in the most flamboyantly seedy café on the Left/Bank. Scott can’t get past the second word: 'Write.'"
"I am uncomfortable in my role as witness." Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what "Black thanatosensitive" user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
"To be awake was a thing many had dreamed of, while continuing to sleep for years, like the famous princess in her coffin of glass. Once I opened a Chinese fortune cookie that said, Some will attain their heart’s desire, alas." Revisiting this fantastic Anne Carson poem, "The Day Antonioni Came to the Asylum (Rhapsody)," over at The Paris Review. Carson's newest, Float, is due out in a couple of months.