What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
“Who am I in the face of the Universe if not just a bro who wants to get stuff done?” Tim Goessling tried living a day according to Benjamin Franklin’s schedule listed in The Autobiography of Benjamin Franklin. What was his biggest takeaway? We should self-evaluate and set goals more.
We’re surprised McSweeney’s didn’t think of this sooner: A handsome large-format volume called Art of McSweeney’s; Chris Ware and many more. There’s also a debut that’s been getting some notice, Mr. Peanut by Adam Ross. And finally, sometime Millions interviewee and interviewer Nic Brown has a new novel out: Doubles.
Ahead of next week’s publication of The Girl Who Kicked the Hornet’s Nest, the battle over Stieg Larsson’s lucrative literary estate. (Thanks, Craig)
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.