Are we now living in a golden age of the uncanny? The Millions contributor Porochista Khakpour suspects that we are, and she also suspects that our historical moment, populated as it is with alienating developments and surreal art, is key to understanding the work of Helen Oyeyemi. In the Times, Khakpour reviews Oyeyemi’s new novel. (You could also read both writers’ Year in Reading pieces.)
"The idea is to bring about a change in lifestyle of the young denizens of the city." The Times of India reports that the Bhopal Runners Association is converting old parks around the city into green reading spaces with seating, wi-fi, and literary events. Less bookcentric but still a feat of public planning (and gentrification): New York City's High Line, which our own Michael Borne wrote about when it first opened.
Three days after Sheryl Gay Stolberg of the Times wrote about Katharine Weymouth taking over the Washington Post, Jeff Farhi reports that Amazon's Jeff Bezos has agreed to purchase the newspaper. Will Bezos follow up his purchase of English™ with a brand-new WaPo style guide?
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”
At The Guardian, Jhumpa Lahiri recounts the path that led her to write her latest book in Italian, one of the most anticipated books of 2016. As she puts it, “A week after arriving [in Rome], I open my diary to describe our misadventures and I do something strange, unexpected. I write my diary in Italian. I do it almost automatically, spontaneously. I do it because when I take the pen in my hand I no longer hear English in my brain. During this period when everything confuses me, everything unsettles me, I change the language I write in.”
Recommended reading: Michael Booth writes for The Paris Review about the work of Danish author Aksel Sandemose and the "enduring mark on the national character" his satirical Jante Law has left.