To kick off South Florida’s O, Miami poetry festival (which I’ve written about before), event organizers and WLRN staffers are asking local residents to snap photos of “a place in South Florida that means something to [them],” and “write a short poem about it including the phrase ‘this is where.’” Then, share the poems and photos on Twitter or Instagram for a chance to be featured throughout the month of April. Meanwhile, the New York Times is on it.
"Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income." Electric Literature has compiled the "The Ten Ways Your Life Will Change After You Publish Your First Book," so you can't say you weren't warned.
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, "the motivation for launching The Millions seven years ago" and what we look for in book reviews.
In 1908, Leo Tolstoy sent "A Letter to a Hindu" to Tarak Nath Das, a leader of the Indian freedom movement. In it, Tolstoy made the case for nonviolent resistance as the only way for India to gain independence from Britain. You can read the letter, along with Mohandas Gandhi’s introduction, over here.
"Without any clear and agreed upon sense for what to be aiming at in a life, people may experience the paralyzing type of indecision depicted by T.S. Eliot in his famously vacillating character Prufrock; or they may feel, like the characters in a Samuel Beckett play, as though they are continuously waiting for something to become clear… or they may feel the kind of “stomach level sadness” that David Foster Wallace described…" Sean D. Kelly navigates past nihilism for the New York Times.
"The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in." Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a "self-made America." Pair with Matthew Wolfson's review of Yelena Akhtiorskaya's novel of Brighton Beach and Odessa, Panic in a Suitcase.