It’s raining cats and dogs and spiders and frogs and scarlet worms and fish. No, really. It is.
The Guardian has put together an extensive section called "How to Write" with tips from the pros like Robert Harris, Antonia Fraser, and Catherine Tate on writing fiction, poetry, comedy, screenplays, memoirs, journalism, and books for children.David Foster Wallace links: DFW's Pomona syllabus (via) and "The last days of David Foster Wallace" in Salon (via). Very sad.Adjust your bookmarks. Pinky's Paperhaus has moved (and gotten a new name).Former Millions blogger Patrick Brown got a mention in an LA Times piece about Herman Wouk a couple weeks back.
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
Our own Bruna Dantas Lobato reflects on her position living between languages. “I learned English out of necessity and that comes with its own problems—aesthetic and political ones. With childhood in one language and a writing life in the other, I’m standing both inside and outside my mother tongue and my stepmother tongue.” Pair with a piece on the important role of translators in literature.
In an interview with the Guardian about Canada, Richard Ford talks about America: "I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time." Also see: Michael Bourne's review of the novel.
"The Colbert Bump didn’t get so much media attention and public support because everyone wanted to talk about me and my novel. People wanted to support book culture, to say that books and writers matter, and that we should be doing everything we can to ensure their continued existence, if not their success. In short, The Book is not dead!" Our own Edan Lepucki and Stephan Eirik Clark talk about their experiences as debut authors on "The Colbert Bump," and the piece pairs nicely with Edan and Millions staff writer Bill Morris's article about the many paths writers follow to publication.