A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
“I can locate the remnants of two or three abandoned cars that haven’t moved in a year, a couple of defunct pay phones, several tire piles, and at least one trashed couch that doesn’t seem to be going anywhere.” Rob Walker on playing Pokémon Go in New Orleans’ Lower Ninth Ward.
V.S. Naipaul (seemingly a professional misogynist at times) rankled many by suggesting there are no women writers that can equal him and calling Jane Austen “sentimental.” Now the Guardian offers up a quiz that challenges readers to identify the gender of an author simply by reading a passage of his or her writing.