A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
"When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac." Here's something you don't see every day -- an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami's artistic legacy.
Members of the Word Reference forum contemplate the etymology and meaning of the “A” in the expression, “Fuckin’ A.” Elsewhere Geoffrey Nunberg, linguist and author of Assholism: The First Sixty Years, shares his take on the ubiquitous “a-word,” which he believes originated during World War II.
"It’s not clear whether he really went mad or not, but he was admitted to St. Luke’s Hospital for Lunatics—an admirably blunt name, no?"— Frank Key writes about Christopher Smart, "an intimate of Samuel Johnson, James Boswell, and Henry Fielding" and an excellent cat poet, for the Public Domain Review.