The town that named its football team after a famous American poem has outdone itself in terms of literature-sports crossovers: for their home opener tomorrow, the Baltimore Orioles will be wearing a special patch commemorating author Tom Clancy.
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.
In case you missed it, this past weekend The New York Review of Books likely outed the author who’s been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante’s work. Might we suggest starting with this piece about The Neapolitan Quartet‘s subversive power?
Once again, another Dave Eggers novel is coming with barely any notice. Knopf will publish Eggers’s latest, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, on June 17. The title is longer than the plot description, but the new novel will follow a man named Thomas who interrogates a NASA astronaut about their connection.
“‘Oh,’ she said, ‘a lot of dogs don’t like black people but they’re fine with everyone else.’ … Was this just a workplace microaggression, or are these dogs actually racist? I found myself grappling with the idea that not only do actual humans hate me for being black; dogs could also hate me for reasons that are out of my control.” Kelly Mays McDonald on how we have weaponized dogs in The Awl.
The publishers of the 33 1/3 series have made public the entire list of suggested albums submitted by their readers for the next book. Don’t worry, you didn’t miss your chance–the “Under-22” category is open through May of 2016. Pair it with our own Emily Colette Wilkinson’s hilarious musical soundtrack for her graduate school screenplay.