Interested in reading some of the indie and small press books coming out in 2014, but don’t know where to start? Michael Seidlinger put together a great Cheat Sheet of titles to get excited about this year. Think of it as a complement to our Great 2014 Book Preview.
Bibi Dietz interviews Jill Schoolman, founder of Archipelago Books, about "the archipelagic quality of book translation, the spiritual quality of discovering a great text, and the best bookshops from here to Buenos Aires." So, basically everything we would ask Jill Schoolman about if we got the chance. The full interview up at BOMB Magazine.
Along with D.T. Max, Laura Miller, and Jason Kottke, I'll be participating in this week's discussion of Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace over at New York Magazine.
When The New York Times tried to ask Jhumpa Lahiri what immigrant fiction inspired her, she smacked the question down by saying there is no such thing as immigrant fiction. "If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction."
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
In an essay for TriQuarterly Lia Purpura writes about Virginia Woolf's "moments of being" and their importance for contemporary writing. "Woolf’s particular flavor of modernism is rooted in the drive to gather, hold, and deepen moments, to make the shimmering moment of perception the base upon which “reality” rests. Her sensibility honors the fleeting, fragile instances of a person’s life."