The Giver Trailer is Out
Edwidge Danticat on Earthquake in Haiti
Video of Haitian American novelist Edwidge Danticat talking about the earthquake in Haiti at Democracy Now.
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Stay Woken
“Woken is the usual past participle of the verb wake in modern English, but in some historical and contemporary varieties the past tense form woke is also used as a past participle.” The Oxford English Dictionary offers notes on the more than 600 new words, phrases, and senses added to its lexicon this quarter, including hygge, particle zoo, post-truth, and woke. Perhaps the OED can help our own Edan Lepucki, who needs help giving 11 feelings and experiences names.
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Tuesday New Release Day: Mbue; Davis; Kohler; Avit; Thompson
New this week: Behold the Dreamers by Imbolo Mbue; The Dollhouse by Fiona Davis; The Outside Lands by Hannah Kohler; I’m Still Here by Clelie Avit; and Blood in the Water by Heather Ann Thompson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
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Schmidle’s Challenge
Nicholas Schmidle‘s riveting account of Seal Team Six’s Abbottabad raid was the highlight of this week‘s New Yorker. Yet he wrote the article without interviewing any of the team members. C. Christine Fair explains how he did it.
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Thick Skin
Year in Reading alum Catie Disabato sits down with 0s&1s to discuss “using criticism as fuel, ambition, comparisons to Ayn Rand, the power of pop stars, happiness norms & more.” You could also read our review of her latest work, The Ghost Network.
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Qiu Miaojin’s Survival Guide
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
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Time to get on with it
At Open Letters, Rohan Maitzen writes about her awakening to the chasm between an academic appreciation for books and “a more personal, affective, and engaged vision of criticism. It has been surprising and exciting to me to realize how blinkered I was about non-academic book culture, and chastening to realize how little use my own specialized reading has been as preparation to join in.”