Last January, Charlie White launched The Enemy, a new online journal published thrice annually that “invites writers, artists, academics, and activists to present essays and projects outside the mainstreams of their practices and disciplines.”
The Enemy has arrived
The Baroque Era
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
How to make it out alive
Some practical advice on the Tin House blog: “So, you’re going to a writer’s conference?”
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Tatjana Soli on Paul Yoon
In The New York Times, Tatjana Soli gives high praise to Snow Hunters, the first novel by Once the Shore author and Best American Short Stories alumnus Paul Yoon. The novel, which tells the tale of a North Korean refugee named Yohan, proves that Yoon is “well-suited to the short form,” she writes. (Related: Soli has written for us.)
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The Rest of the Story
In this week’s New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
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Economics of the E-Book
The Wall Street Journal reports how literary authors are feeling the pinch in the age of e-books: “The upshot: From an e-book sale, an author makes a little more than half what he or she makes from a hardcover sale.”
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