First Alice Munro won the Nobel, and now she has her own commemorative coin. She will be on the Canadian $5 coin, but don’t expect to spend it anytime soon. There will be only 7,500 of the coins, which will sell for $69.95 each.
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
Nancy Jo Sales, author of The Bling Ring, talks about her latest book, American Girls, at NPR. “In the 2 1/2 years she spent researching her book, Sales interviewed more than 200 teenage girls around the country about their social media and Internet usage. She says girls face enormous pressures to post ‘hot’ or sexualized photos of themselves online, and she adds that this pressure can make the Internet an unwelcoming environment.” You could also read Sarah Labrie’s essay on social (media) anxiety.
“The older I get, the more my own boundaries seem to be fading, which is terrifying and fascinating in equal measure.” For The Paris Review, Lucie Shelly interviewed Lauren Groff about nature, spirituality, and her newest collection, Florida. (Our review called the collection “startling and precious.”)
“While pressure from Amazon forced Borders out of business in 2011, indie bookstores staged an unexpected comeback. Between 2009 and 2015, the ABA reported a 35% growth in the number of independent booksellers, from 1,651 stores to 2,227.” Professor Ryan Raffaelli read this surprising statistic and decided to study what exactly independent bookstores were doing in order to reinvent themselves and thrive. He found it has to do with indies embracing the three Cs; community, curation and convening. The full report will be released in 2018 but you can glimpse a preview here. Three cheers for indies!
Looking for someone to whip your writing into shape? Then tweet the new Gordon Lish bot, a Twitter account which offers unvarnished critiques of your tweets and fictional sentences. (Related: Frank Kovarik on the editor’s relationship with Raymond Carver.)