The Strand Magazine is publishing a previously unseen Tennessee Williams short story in its spring issue. “Crazy Night” is about Williams’s lovelorn college days when he describes sex like “vaccination the first day of school.”
“Per one estimate, 96 of the 154 sonnets credited to Shakespeare contain rhymes that have since been lost to linguistic history.” The Atlantic writes on why we should be laughing more when we read Shakespeare. If you’d prefer to revere him, here’s a piece on Shakespeare as God.
“Women writers and writers of color don’t really have the luxury of being known simply as writers. There’s always a qualification,” Roxane Gay writes for The Nation. She ponders what it means to be a “black woman writer” and concludes that we should view diversity as a search for “urgent, unheard stories.”
This one goes out to all the visual learners out there. Here’s a helpful, illustrated guide to writing scenes and stories with Jeff VanderMeer, author of the bestselling Southern Reach Trilogy. Bonus: here’s an interview by VanderMeer with author Richard House from earlier this year.
Will Staehle designed the cover art for Michael Chabon’s latest novel, Telegraph Avenue (Millions review), and his finished project is certainly eye-catching. But what of the designs that didn’t make the final cut? Over at the Huffington Post, you can take a look at some of his other ideas.
Our own Garth Risk Hallberg’s City on Fire is almost here. While we wait, read Boris Kachka’s profile of Hallberg for Vulture, about the expectation surrounding his highly anticipated 944-page debut novel and the experience of writing a book that is “unpublishably long.” We’ll be publishing our own illuminating interview with Hallberg on Monday.
Planning to attend this Saturday’s National Book Festival in Washington, D.C.? The Washington Post has provided five sample itineraries. And for an entirely different, vicarious trip, revisit Mythili G. Rao‘s account of visiting the Jaipur Literature Festival a few years back: “To voice their disapproval of the circumstances of Salman Rushdie’s absence, four writers read from The Satanic Verses — a book that has been banned in India. They were advised to leave. What kind of real intellectual discussion could go on in a setting that had proved itself so hospitable to self-censorship?”