Though Mark Twain first gained notoriety after publishing an essay about a famous jumping frog, the onetime Samuel Clemens didn’t really hit his stride until he became a public speaker, as the money he accrued from reading in front of audiences gave him a steady source of income. At Salon, Ben Tarnoff recounts Twain’s journey to the podium, one laid out more broadly in Tarnoff’s book about a group of San Francisco writers.
This Thursday, at Housing Works Bookstore in New York, Garth will represent The Millions in a live quiz show called (accurately) Don't Know Much About Literature. Kenneth C. and Jenny Davis, authors of DKMAL, the book, will host. Co-contestants include Jason Boog of Galleycat, Ed Champion of Reluctant Habits, Jason Toal of HTML GIANT, Catherine Lacey, and Buzz Poole of Mark Batty Publisher. We're told buzzers and beer are in the offing, and that second round contestants "include you!" We'd love to see you there.
"The internet has altered our lives in ways television never did or could, but mainstream literary novelists – by which I mean writers who specialize in realistic, character-based narratives – have mostly shied away from writing about this, perhaps hoping that, like TV, it could be safely ignored." Laura Miller examines how contemporary novels are coming to terms with the internet.
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.