We’ve all had that annoying moment of finding the perfect word to win Scrabble with, except that word doesn’t count. Now, Scrabble is letting players nominate a new word to enter its dictionary. You can submit on Facebook. Just do us a favor, and nominate something better than “hashtag” or “selfie.”
Scrabble Shake-up
Forrest Gander’s Reading List
Recent Pulitzer Prize-winner Forrest Gander offers a curated poetry reading list that includes C.D. Wright and Arthur Sze.
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Stumped and Delighted
This fantastic essay from The Rumpus argues for the abandonment of realism in American fiction. Charles Finch wrote an essay for The Millions on the truce between realism and fabulism in Gabriel Garcia Marquez’s One Hundred Years of Solitude that pairs quite nicely.
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Iowa’s Free Online Poetry Workshop
A new MOOC from the University of Iowa’s International Writing Program is scheduled to begin on June 28. “How Writers Write Poetry” is free and open to the public, and it will feature craft talks from poets such as Robert Hass and Kwame Dawes. A fiction-writing course is also scheduled for September. (Related: Read how several Iowa MFA students describe a typical day in the program.)
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“You are saying you do not exist in the American dream except as a nightmare.”
Make some time this weekend to read James Baldwin and Audre Lorde in conversation, which originally appeared in a 1984 issue of Essence, but has since been reposted by the Museum of Contemporary African Diasporan Arts.
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Gary Shteyngart’s Book Trailer
This “book trailer” released by Gary Shteyngart for his upcoming book Super Sad True Love Story has been the cause of much recent hilarity. If you have yet to see it, look for appearances by Jeffrey Eugenides, Jay McInerney and actor James Franco.
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Katherine Mansfield: Book Reviewer
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
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