How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.
For all typography enthusiasts and lovers of browser plugins: Chrome has a new extension, FontFace Ninja, that will tell you the font of any text on any webpage.
Out this week: City on Fire by our own Garth Risk Hallberg (whom we interviewed yesterday); Thirteen Ways of Looking by Colum McCann; Upright Beasts by Lincoln Michel; The Mountain Shadow by Gregory David Roberts; Carrying Albert Home by Homer Hickam; And West is West by Ron Childress; and Eyes by William H. Gass. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.