How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
"Notice how Malbecco, as Gelosy, lives outside of time, a death-in-life: he can 'never dye, but dying lives.' In other words, embrace a quality entirely—even, I would argue, a less pejorative quality, like hustle—and it overmasters you. You’re doomed." Rowan Ricardo Phillips, basketball columnist for The Paris Review, on Edmund Spenser, hustle, and the New York Knicks.
David J. Peterson is the man responsible for creating the Dothraki and Valyrian languages for the television adaptation of George R.R. Martin’s Game of Thrones series. Peterson, who took Martin’s 55 Dothraki names and created a 4,000 word vocabulary, is interviewed over at Flavorwire. If the Dothraki don't have a word for it, the Germans probably do. Here’s an essay from The Millions on just that.