How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
The Guardian has begun rolling out their series of the 100 best nonfiction books of all time. The first? Elizabeth Kolbert’s horrifying, no-holds-barred ecological treatise The Sixth Extinction: An Unnatural History. Our friends over at the Football Book Club took a look at The Sixth Extinction earlier this year, as well.
Recommended Reading: Tabitha Blankenbiller responds to The New York Times’ piece on Manly Book Clubs. “Reading the article yet again, my pity for this dude squad begins to blossom. To think that they will head into the ground without the words of Terry Tempest Williams or Lidia Yuknavitch or Sandra Cisneros in their hearts.” For a bit of humor about a manly book club, check out our rock ‘n’ roll book club.
“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
Congratulations to Millions staffer Edan Lepucki, who sold her debut novel California to Little, Brown at auction this week. The novel, which Edan refers to as “Novel #2” in her article “What Happens When a Book Doesn’t Sell,” will follow a young married couple grappling with a post-apocalyptic world. Consider us extra relieved given Edan’s proclamation in that article: “And this new book, it will be published. If it doesn’t, well, I’ll just die.”
Book Riot reports that Planned Parenthood “staged a protest of the GOP’s healthcare (or lack thereof) bill” with red-robed Handmaids. Pair with Tara Wanda Merrigan‘s review of the Hulu adaptation of Margaret Atwood‘s classic: “While transforming Offred into a stereotypically empowered representation of a woman may make the show more appealing to some viewers, I found it disheartening.”