io9 offers up “The Twenty Science Fiction Novels that Will Change Your Life,” from Frankenstein to Pattern Recognition. (via)Cathleen Schine on the charms of Peter CareyThe “Thomas Bernhard cult” claims a new initiate.F.O.T.M. (Friend of The Millions) Lydia Millet talks about “endangered species, the idea of motherhood, and her stint at Hustler.””Why do scribblers make drinking their second art? For one thing, it primes them for their task.” Writers and booze.Some American Studies undergrads at The University of Virginia have put together an online exhibit titled “The New Yorker Magazine in the 1930s.”NPR’s “In Character” segment considers Hawthorne’s Hester Prynne.
“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
Martin Connelly takes a look at The International Cryptozoology Museum, which is run by Loren Coleman up in Portland, Maine. If you can’t make the pilgrimage yourself (or if you’re just put off by chupacabra taxidermy), you can also get a feel for the study of far out beasts by reading Coleman’s “genre-defining” book, Cryptozoology A to Z.