“First, catch your pig.” This is the beginning of Harper Lee’s recipe for cornbread, but it’s not the first time pork has preoccupied her writing. At The Paris Review, Sadie Stein examines the use of ham in Lee’s fiction.
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
“Like reading, love works in roughly the same way every time, but the details of any given case are irreducibly particular, and it’s in the details that everything happens.” Lidija Haas on Elif Batuman’s debut novel, The Idiot. (You could also read our review by Virginia Marshall.)
Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
“In Proust, the rhythm, the phrasing, the movement of the sentence, even the grammar—it’s all so complex that it would be almost impossible to repeat anyone else’s work. Because of that I’m all the more aware of the differences, and of how admirable Scott Moncrieff’s work often is.” George Plimpton interviews Richard Howard about translating Remembrance of Things Past, for the Summer 1989 issue of The Paris Review. The interview was reissued to mark Richard Howard’s birthday, who turns eighty-six today.
June 7th would have been Gwendolyn Brooks‘ 101st birthday. In remembrance of her we encourage you to read her works and reflect on a legacy. To get you started Shondaland has a good primer on this cool poet, who became the first Black person to win a Pulitzer Prize. Pair it with this essay on Brooks and reading outside your culture.