In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
While makers of the graph admit that it's no substitute for a real poll, according to a heatmap of political books purchased on Amazon in the United States, conservative books are more popular than their left-wing rivals. Another heatmap of note: a firm tracked the use of the F-bomb on twitter over the course of a day to see where America's foulest mouths are concentrated.
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
A few weeks ago, I pointed you to this piece on the surprising racism of children's books. The essay was a response to controversy surrounding the rescinded publication of Ramin Ganeshram's A Birthday Cake for George Washington, which upset readers with its confusing, cheerful illustrations and alleged misrepresentation of the nature of slavery. Over at The Guardian Ganeshram defends herself and addresses the problem of cover design versus author intent.