“Suddenly I couldn’t believe/you have to put it back,/must be intelligent,/bring sandwich money,/whether British or American.” Three new poems by John Ashbery.
One way to go green: the San Francisco Public Library is making library cards from corn.The New York Times mines the data from its integrated dictionary feature to find the words its readers most frequently look up: sui generis, solipsistic, louche...Bill Simmons talks basketball with The New Yorker (via)Inspired by the attention surrounding J.D. Salinger's lawsuit to block an unauthorized sequel to The Catcher in the Rye, Patrick Brown at Vroman's has put together an impressive, involved post cataloging and discussing literary remixes.It's not too late to get in on TMN's "Infinte Summer," a summer-long group read of David Foster Wallace's Infinite Jest.For those ebook fans who miss that "new book smell."Speaking of enhancing ebooks, what happens to book signings in the age of the ebook? Sign the Kindle?!Sonya Chung's thoughtful take on Dan Baum's Twitter essay about being fired from The New Yorker, including a comment from Baum himself.Mark Sarvas says don't fear the Kindle at HuffPoCarolyn Kellogg shares some satire for the bookish set.The Millions' Collaborative Atlas of Book Stores and Literary Places has now been viewed over 500,000 times!From TMN, "A Terrifically Bad Idea: 10 cafes, 10 macchiatos, one morning, by bike."High concept fun from The Washington Post: "We asked authors which book character they would like to accompany them for a day on the beach." (thanks Arna)Wikipedia find of the week: List of child prodigies.Further Reading: Jeff Hobbes' "Open Letter to Kanye West" generated many supportive comments from other proud readers.
Twitter lets writers think in public, and it's changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?"
It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”