Why does the new Liam Neeson film use a hyphen in its title? According to AP Style, “nonstop” is one word, yet the film is marketed stateside with a hyphen stuck in the middle. At Slate, L.V. Anderson looks into a typographic mystery.
Nit-Pick
Salinger’s Lost Writing
J.D. Salinger was apparently "still writing during the decades of his seclusion and amassing a considerable body of work," but what, exactly, was he working on?
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Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
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“The Specter of the Confessional”
"The specter of the confessional haunts all first-person writing, and women’s writing in particular," but perhaps "the instinct to insert [the self] comes from a place of saying, 'I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'" Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
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The Lonely Writer
What's the best part of writing for Sue Monk Kidd? The solitude. What's the hardest part for her? The solitude. Kidd acknowledged the challenges of writing in a "By the Book" interview with The New York Times. "For me, writing a novel goes on for years, and the solitude goes on, too. It tends to swallow me at times. I know it’s a problem when my husband sends the dog in to retrieve me." Her latest novel, The Invention of Wings, came out on Tuesday and was part of our 2014 book preview.
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After the Wall
“[Christa] Wolf was a committed dissident in the GDR (East Germany) and a forceful voice resisting Western triumphalism after reunification. It would seem like some sort of explanation was owed to the public. Yet how does one give an account of oneself when the link to the past, to the psychological and cultural backdrop of such fateful decisions, is not even subjectively available?” On City of Angels: Or, the Overcoat of Dr. Freud.