Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. “John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist.” The eighth installment, The Counterfeit Agent, just came out.
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.
In a piece for the Los Angeles Review of Books, Jonathan Farmer responds to the recent pieces in the New York Times that ask poets to debate the question “does poetry matter?” As Farmer points out, ” it’s a bit like asking a bunch of religious figures if religion matters,” but the conversation is worth following and pairs well with our own recent pieces on poetry’s power and popularity.
On the Media‘s Bob Garfield hosts “The Genius Dialogues,” a new interview podcast featuring recipients of the MacArthur Foundation’s so-called genius grants. First-season guests include Radiolab creator Jad Abumrad; Luis von Ahn, founder of the language learning app DuoLingo; microbiologist Manu Prakash; choreographer Elizabeth Streb; and writer and producer David Simon. We’ve hosted a few geniuses here as well, including Ben Lerner, Yiyun Li, and Karen Russell.
For me, the call of Southern literature comes strongest in the dog days of summer, when the days are long and when the sun is burning. This year, it seems that the literary community has taken note: five representatives from the region’s “great independent bookstores” have gotten together to recommend the Southern books they’re craziest about this year.