Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. “John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist.” The eighth installment, The Counterfeit Agent, just came out.
"In contemporary capitalist societies, libraries stand out as slightly odd. While people are generally accustomed to going into a store and having to pay if they plan on leaving with something – in a library this relationship is quite different.” From AirBnB to Zipcar, startups premised on the so-called "sharing economy" tout themselves as radical and disruptive. Except that another institution – the public library – has been offering communal property for hundreds of years. Not that the circumstances are always ideal, as our own Jacob Lambert attests in his "Open Letter to the Person Who Wiped Boogers on My Library Book."
It’s notable when a respected magazine publishes a short story written in the form of a comment thread. It’s even more notable when the author of that story is Bobbie Ann Mason. At The Nervous Breakdown, new fiction from the author of Shiloh and Other Stories.
Christopher Lee, perhaps best known to American audiences as the man who played Count Dooku (Star Wars) and Saruman (Lord of the Rings), is also an accomplished singer and musician. Evidently, he’s also quite literary, as his most recent project — The Metal Knight — demonstrates. To wit: the album was inspired by Don Quixote. (Trailer here.)
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
Recommended reading: Harpers on the making and persistence of literary canons in a relativist age.
For the most part, your average writer's retreat is a pretty cushy place. Its amenities are designed to let its guests turn their energies to the difficulties of artistic work. At The Paris Review Daily, Rex Weiner writes a dispatch from a different sort of retreat -- a haunted house for writers in Mexico. To read about a more traditional experience, check out our own Michael Bourne on his time at Bread Loaf.