Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. “John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist.” The eighth installment, The Counterfeit Agent, just came out.
Moving in for the Kill
Foxcatcher
You’ve probably taken one of those quizzes that lets you find out the nature of your spirit animal. If so, you’ll enjoy this novel take on the form, which lets you see which animal from a famous poem you are. (For the record, this writer got Marianne Moore’s immortal fish.)
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For Whom the Bell Tolls
The word “whom” appears “just 53 times out of every million [spoken] words,” according to the Corpus of Contemporary American English. This does not bode well for members of future generations – some of whom may be fond of formality.
Kristof on the Value of Teachers
At the New York Times, Nicholas Kristof highlights a study finding that a classroom of students of a strong fourth-grade teacher will collectively earn $700,000 more over their lifetimes than those taught by a weak teacher.
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The Best of the Internet
The Bygone Bureau asked a whole heap of people to write for their annual “Best of the Internet” post, and I was one of them. Come on over to see what I have to say about Ted Berrigan, a Twitter robot, and a certain type of found poetry.
Chemical Disruption
“The short story is an odd form, forever dying out or undergoing a revival, impossible to define, sometimes seeming to be united by being nothing more than a text which happens to occupy around thirty pages or less: novels for people who can’t be arsed reading novels. Yet the best stories in both of these books show what the form is capable of: the world reflected in a puddle, the light gleaming for an instant, fireflies.” C.D. Rose reviews New American Stories, edited by Ben Marcus, for 3:AM Magazine.
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What’s So Great?
“Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art.” Robin Black wonders “What’s So Great About Young Writers?” in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.
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A New Tradition
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
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