Artist John Vernon Lord drew inspiration from Irish literature’s “books of the dark” to adapt James Joyce’s Finnegans Wake into a series of illustrated images. Over at The Guardian, Lord discusses how he developed some of his pages.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
You may have read our review of Kazuo Ishiguro’s new novel The Buried Giant. You may also have read our own Mark O’Connell’s review at Slate. For another opinion, you could read James Wood, who writes about Ishiguro’s “prose of provoking equilibrium” in the latest New Yorker.
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.