In the pages of the Washington Post, the venerable Miss Manners responds to an English department secretary who feels “besieged by fringe ‘academics’ who are very adamant that we are part of a conspiracy to cover up the fact that Edward de Vere, Earl of Oxford, was Shakespeare.”
"I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense." A Vanity Fair interview with Emily Nemens, The Paris Review's new editor. And here's a list of 20 reasons you should absolutely be reading literary magazines.
Recommended reading: Harpers on the making and persistence of literary canons in a relativist age.
“The findings revealed that across the board, nearly 80 percent of those surveyed who worked in publishing self-identified as white. In Marketing and Publicity, 77 percent were white. These are people who make decisions on how to position books to the press and to consumers, and if and where to send authors on tour — critical considerations in the successful launching of any publication. For writers of color, the lack of diversity in book publicity departments can feel like a death knell.” On the lack of representation in book publishing and publicity campaigns.
At the LARB, Anne Trubek quotes Lionel Trilling in a review of The Son and American Rust, the two books published thus far by New Yorker 20 Under 40 alum Phillipp Meyer. “In the American metaphysic,” Trilling wrote in his essay "Reality in America," “reality is always material reality, hard, resistant, unformed, impenetrable, and unpleasant.” Those of you who read our pieces on both books may be able to guess why the quote is relevant.