In the pages of the Washington Post, the venerable Miss Manners responds to an English department secretary who feels “besieged by fringe ‘academics’ who are very adamant that we are part of a conspiracy to cover up the fact that Edward de Vere, Earl of Oxford, was Shakespeare.”
Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.
Visual Editions wants to send photographer Jacob Robinson to La Mancha… by way of camper van. Along the way, he’ll be tasked with “captur[ing] the spirit of Don Quixote” on film and combining his shots with text from Miguel de Cervantes’s novel in order to create a re-imagined, “faithful and contemporary” edition. You can find out more on the effort’s Kickstarter page.
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.