What would Blood Meridian look like as a children’s book? The question is vaguely unsettling, but Jerry Puryear set out to answer it anyway, drawing up detailed mockups of literary children’s books and posting them on his Tumblr. At Slate, a selection of his book covers. (This might be a good time to look back on our US-UK Book Cover Battle.)
If you’re like this writer, you’ve read enough by now about the scourge of writer’s block. The literature on authors having trouble producing literature is enough to sustain a whole genre by itself. Which is why it’s refreshing to read this article, which tackles another problem: the vexing, peculiar strain of overload known as reader’s block.
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
Emoticons are unbelievably passé, right? And GIFs are just too much work, right? It’s time to better utilize our technological advancements. Behold The Sound-Word Index, a project by Blanche de Lasa, Stina Gromark, and James Godwin that can use “sound, volume and rhythm” to “help to translate our emotions hidden behind our screens.”