With the cold front in America right now, you would never know it’s meant to be spring. To get yourself in the season, take The Guardian’s floral poetry quiz. Sample question: “What reminds Ezra Pound of ‘petals on a wet, black bough’?”
Flummoxing Florals
So Much Drool
Sorry for the mess but we're still drooling over these photos of A Brief History of Seven Killings author Marlon James's Minneapolis loft. Slightly less glamorous but (we think) of equal literary importance, these pictures of our own writing spaces.
2018 Tournament of Books Winner Announced
After 16 fierce book brackets, The Morning News' Tournament of Books championship round pitted Samanta Schweblin's Fever Dream against George Saunders' Lincoln in the Bardo. Did your pick win? Click here to find out.
A Fine Statement
This piece on the limited language of David Lynch from Dennis Lim over at The New Yorker is a fascinating journey into the mind of the peculiar auteur behind such gems as Eraserhead and Twin Peaks. Lynch will be publishing what he has called a “quasi-memoir” sometime in 2017.
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That Was How He Was
"The last line of Saul Bellow's 'A Single Dish' is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep." Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
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Wodehouse Revival
P. G. Wodehouse is enjoying a popular revival thanks in part to W. W. Norton re-releasing some of his books with nice, attention-grabbing covers. Of course the British author has long had his supporters. Among them? George Orwell. Elsewhere, The Guardian compares Wodehouse's correspondence to Ernest Hemingway's.
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Invisible Together
"It was a remarkable scene, to witness young people collectively shatter one another’s sense of social isolation." Clint Smith for The New Yorker's Page-Turner blog about teaching Invisible Man to a high school class full of undocumented immigrants.