With the cold front in America right now, you would never know it’s meant to be spring. To get yourself in the season, take The Guardian’s floral poetry quiz. Sample question: “What reminds Ezra Pound of ‘petals on a wet, black bough’?”
Flummoxing Florals
The Brothers Carrotmazov Was Taken
I’m not sure if you guys heard, but Elif Batuman joined Twitter a few days ago, and promptly seized the sweetest user alias on the site.
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Too Dark for TV
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
Jonas Take Me Somewhere We Can Be Alone
We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
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Appearing Elsewhere
My story “I am the Lion Now” is the Story of the Week at Narrative Magazine.
Unpredictable Lit
“These people may not take you seriously. And your boss might not either. Or your dentist or your best friend from middle school. But you who does take you seriously? Dictators. Dictators take you very seriously. Mao Zedong and Joseph Stalin, Pol Pot and Augusto Pinochet, all rounded up writers and artists in short order. They could not afford to have the unpredictability of literature at large while they were trying to create a totalitarian state.” Wendy Willis on subversion through writing for The Rumpus.
What Labor Is
Over at Slate, Pamela Erens explores how descriptions of childbirth have disappeared from contemporary novels. Also check out Claire Cameron’s Millions interview with the author and Martha Anne Toll’s review of Erens’s new novel, Eleven Hours.
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Do you have a little bit of writerly blood thirst?
On June 7th Canteen is hosting a battle in NYC’s KGB Bar. The event is called Outwrite and will pit Matthew Aaron Goodman, author of Hold Love Strong, against twelve two unknown volunteers in a flash writing competition. Alexander Chee will be reading from his new novel while the contestants prepare their weapons. This would make a great #LitBeat, and if you’re interested in covering this, get in touch with me here.
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