“Fat guy. They knew.”

“Tax authorities in Finland are turning to poetry in a bid to get more firms to file their tax returns electronically.”

Amazon has given its entire front page over to a “letter” from CEO Jeff Bezos touting Dan Brown’s forthcoming gnostic thriller The Lost Symbol. It’s a mix of hyperbole and “thrilling” intrigue. My favorite excerpts: “This is one of the most anticipated publishing events of all time.” “The book remains so deeply under wraps that we’ve agreed to keep our stockpile under 24-hour guard in its own chain-link enclosure, with two locks requiring two separate people for entry.” Bezos goes on to promise that Amazon will deliver Kindle owners the book “wirelessly while [they] sleep.”

Last week marked the release of The Heart is Strange, a new collection of John Berryman poems released to coincide with the centenary of the poet’s birth. At The Paris Review Daily, Dan Piepenbring digs through the magazine’s interview archives to find Berryman’s account of meeting W.B. Yeats. Pair with: Stephen Akey on Berryman’s classic The Dream Songs.

“When you think Franz Kafka, what comes to mind? Mitteleuropean gloom, perhaps… What you don’t think of is standup comedy.” Two young comedians are staging a new version of Kafka’s The Trial to hit the London stage next month.

“I realize that, like most fantasies, reality is likely to be more complicated. For starters, literary communities—like most communities—have echelons. They have cliques; they have ghettos. You are the wrong age, work in the wrong genre, don’t know the right people, don’t teach at the same program … Anyone who thinks this isn’t true is someone squarely at the center of his or her chosen circle.” On peripherality and the uncertain nature of literary community.