Recommended Reading: Ray Shea’s essay at Hobart “Fat Guy.” “I want to say that I shrunk into my shoes and disappeared, but when somebody throws ‘fat guy’ at you, you don’t shrink, you grow. You bloat.”
"7 Awesome Ways Barnyard Animals Are Like Communism." From McSweeneys, great literature retitled to boost website traffic.
While we're on the subject of Harry Potter, I have some bad news. According to J.K. Rowling herself, Cursed Child is likely the last we'll ever see of the boy (now middle-aged) wizard: "He goes on a very big journey during these two plays and then, yeah, I think we’re done. This is the next generation, you know ... So, I’m thrilled to see it realized so beautifully but, no, Harry is done now.”
"I can’t imagine how difficult it would be to jauntily denigrate 27.8 million—that’s the number of American workers who make less than $10.10 an hour," yet, in The Morning News, a close reading of a few hundred letters to the editor about the minimum wage shows other Americans doing just that.
"While men weren’t looking, women built a genre that tackles love, sex, pleasure, class, money, feminism, masculinity, and equality." Jamie Green writes for Buzzfeed about how romance novels have gotten more feminist over the years (and still getting a happily ever after) and people are now starting to sit up and take notice.
"Romance heroines hold jobs. They teach, farm, practice law, work independently as private detectives, or they are involved in the arts, in dance, in theater. They are mothers, ex-wives, Marines. They take up causes and they always want something 'more' from their lives—and we aren’t just talking about a partner. In today’s romance, the relationship is part of—and often, a catalyst for—a woman’s journey, not her destination." On the value of romance fiction.