Recommended Reading: Ray Shea’s essay at Hobart “Fat Guy.” “I want to say that I shrunk into my shoes and disappeared, but when somebody throws ‘fat guy’ at you, you don’t shrink, you grow. You bloat.”
“Fat guy. They knew.”
Franzen the Fanboy
Every week, we read another article about what Jonathan Franzen hates, but in a new interview with Entertainment Weekly, Franzen discussed his favorite books. He’s a fan of Harriet the Spy, Gone with the Wind, Childhood’s End, and The Trial.
On the Greatness of Talking Rabbits
A decade before Matt Groening created The Simpsons, he debuted his first comic, Life in Hell, at a record store in Los Angeles. The strip kept running for thirty-five years, even after The Simpsons brought its creator international fame. He decided to end it earlier this year, and his fans (including Alison Bechdel) are paying tribute.
Kenneth Lawrence Beaudoin, poet laureate of the river
There are poet laureates for all sorts of things these days – Queens Borough, San Mateo County, Twitter, you name it – but this is the first time I’ve heard of someone being dubbed “poet laureate of the river.”
Allen Ginsberg, Beat Historian
“It’s not often one gets the opportunity to take a course on a major literary movement taught by a founding member of that movement,” but Allen Ginsberg‘s lectures on “the literary history of the Beats” are now available online via Open Culture.
“In matters like writing[…], a man does what he has to do—if he has to write, why then, he writes”
Rebecca Davis O’Brien unearths a letter in which Malcolm Cowley tackles the timeless question, “Should I get an MFA?” Just as poignant as Cowley’s letter is novelist Helen DeWitt’s pointed dismissal of Cowley’s advice in the comments section.
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One Book, Two Covers
“What do these two books have in common?…Open each cover and you will only find similarities: They are the same book.” For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.