April is Autism Awareness Month, and a new paperback edition of Drawing Autism displays artwork created by artists all along the spectrum. You can take a look at some examples over here, and New Yorkers can hear from the book’s editor at the United Nations on April 2nd.
Last weekend marked the debut of Giphy, a new search engine for animated GIFs. Of course, I’m not willing to give a verdict on its utility just yet – the database doesn’t seem to list my three favorite GIFs of all time: therapist lion, slow motion corgis, and Kermit meets Christian.
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”
New this week: The Secret Place by Tana French; 10:04 by Ben Lerner; Barbarian Days by William Finnegan; Wittgenstein, Jr. by Lars Iyer; The Emerald Light in the Air by Donald Antrim; and The Bone Clocks by David Mitchell. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Out this week: Hunger by Roxane Gay; The Changeling by Victor LaValle; The Accomplished Guest by Ann Beattie; So Much Blue by Percival Everett; Erotic Stories for Punjabi Widows by Balli Kaur Jaswal; The City Always Wins by Omar Robert Hamilton; and Blind Spot by Teju Cole. For more on these and other new titles, go read our most recent book preview.
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.
“Poets ought to learn how to present work as well as produce it,” says Joe Weil, who shares some invaluable Tips for Doing a Poetry Reading. (Bonus: our own Janet Potter offers a tutorial on the appropriate way to introduce an author [or poet] before their reading.)