This month, a Brentwood School archivist unearthed a two-page poem entitled “A Dissertation on the task of writing a poem on a candle and an account of some of the difficulties thereto pertaining.” The kicker? It was written by a 17-year-old Douglas Adams, nine years before he published The Hitchhiker’s Guide to the Galaxy.
Douglas Adams Poem Unearthed
Literary Birthdays
New Directions turned 75 yesterday, so here's a look back on the history of their colophon. In other birthday news, Iris Murdoch was born on this day in 1919, and tomorrow The Catcher in the Rye turns 60.
Should We Even Publish This?
Following a recent essay on the value of ambivalence, our own Mark O’Connell explores the nature of confidence in this week’s New York Times Magazine. Perhaps not surprisingly, he writes that this year’s Web Summit convinced him that tech moguls are congenitally more confident than writers.
●
●
The Lonely Writer
What's the best part of writing for Sue Monk Kidd? The solitude. What's the hardest part for her? The solitude. Kidd acknowledged the challenges of writing in a "By the Book" interview with The New York Times. "For me, writing a novel goes on for years, and the solitude goes on, too. It tends to swallow me at times. I know it’s a problem when my husband sends the dog in to retrieve me." Her latest novel, The Invention of Wings, came out on Tuesday and was part of our 2014 book preview.
●
●
Ramadan Kareem!
A belated “Ramadan kareem” to all of our Muslim readers! If you’re looking for some Ramadan-centric reading, the Poetry Foundation has rounded up a selection of poems, podcasts, articles and blog posts that should do the trick.
●
●
Tuesday New Release Day: Faulks, Drop Caps
New this week are A Possible Life: A Novel in Five Parts by Sebastian Faulks and the first six titles (A through F!) in Penguin's snazzy new Penguin Drop Caps series.
On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”