Brief Encounters
“A Giant Empathy Machine”
“It may be true… that the internet will turn out to be ‘a giant empathy machine.’ And yet, as any reader knows, we’ve already had one for centuries.” Drew Calvert reviews The Novel: A Biography for the Los Angeles Review of Books and provides an argument for the novel in the digital age.
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Dispatches from Guangzhou
Take a vicarious trip to China via a special issue of Ninth Letter, a literary and arts journal published by the University of Illinois, Urbana-Champaign. Including work by authors Madelaine Thien and Khaled Al Khamissi, the issue grew out of a residency sponsored by Sun Yat-sen University’s Center for English-language Creative Writing, the only such department of its kind in that country. Pair with this piece by Casey Walker about writing his novel Last Days in Shanghai, which is set in the boomtown of today’s new China.
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War and ???
Nowadays, we take it as a given that Tolstoy’s fame was guaranteed by his talent, but many of his contemporaries thought he’d never get a readership outside his native Russia. Why? His writing, as Rosamund Bartlett puts it in a comparison with Turgenev, was “unpolished, more uncompromising and altogether more Russian” than his peers’. If you generally prefer Dostoevsky, you’ll appreciate our survey of scholars on which author was greater. (h/t Arts and Letters Daily)
Tuesday New Release Day: Boyle, Marai, Baseball
New this week in the fiction aisle are T.C. Boyle’s When the Killing’s Done (our review) and Sandor Marai’s Portraits of a Marriage. Also, baseball fans, the 2011 Prospectus is out today.
Hazlitt, will publish.
Random House Canada launched a new website yesterday, and a new internet magazine to go along with it. There’s a piece from Hari Kunzru on Werner Herzog, and I’m especially taken with this one from Emily Landau on Christopher Hitchens and David Rakoff.
HMH Broke
With debts and liabilities in excess of $1 billion, Houghton Mifflin Harcourt has officially filed for bankruptcy.
Vocal Harmony
At the LARB, Len Gutkin interviews Year in Reading alumnus William H. Gass, whose new novel, Middle C, incorporates techniques of twelve-tone composition. (In case you missed it, I wrote about the book a few weeks ago.)
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