Want to make your writing shorter? Revise more. At The New York Times, Danny Heitman discusses the art of brevity. “Like passengers in a lifeboat, all the words in a concise text must pull their own weight.” Pair with: Our own Edan Lepucki’s essay on the challenges and benefits of brevity.
The book bloggers are all waiting for the announcement of the National Book Award winner, and I, too, have to wonder what will happen once we know the recipient of the award in the fiction category. These women have gotten a lot of grief from folks who think they shouldn't be there. What I'm wondering is will the NY Times and all the rest end their crusade and graciously accept the winner, or will the winner, whoever she may be, have to bear more criticism on her own. We shall see. In the meantime I have dug up some old links that are, unlike all this NBA stuff, not very timely, but they are good, so I wanted to share them with you:First, take a look at Jonathan Yardley's fantastic discussion of the American novels that are, to his mind, the best of the last 125 years. He calls it "State of the Art."The discussion among my fellow book bloggers about the Paris Reviews magnificent decision to put all of their interviews online has got me thinking about the recently departed George Plimpton, which is why I was happy to find this wonderful interview that he conducted with Truman Capote about In Cold BloodFinally, there are two types of people in this world... well, not really, but in this post from earlier this year, Michael at 2Blowhards explains the difference between movie people and book people and a lively discussion follows.Well, that's enough from the old bookmarks file. Expect more timely news sometime soon.
Writing for NPR’s Book News round-up, Annalisa Quinn steers readers toward a recently released FBI file alleging that Mexican novelist Carlos Fuentes was in fact a “communist writer” with a “long history of subversive connections.” In her update, Quinn shares some counter-arguments from Fuentes’s colleague and biographer, Julio Ortega.
In May, poet David Lehman wrote the first line of a sonnet about cubicle anomie and began crowdsourcing the rest. The completed 12-week project at The American Scholar is not merely a pretty great piece on its own, but a lesson in how to write one, line by line: 2, 3, 4, 5, 6, 7, 8/9, 10, 11, 12, 13, 14. You can submit your title suggestion as late as midnight on Sunday, but we suggest getting a start on it now, while the prison of work is still fresh in mind. (h/t The New York Times)