The idea of having to diagram a sentence still gives us nightmares, but Pop Chart Lab has diagrammed opening lines of famous novels, including those as simple as Slaughterhouse-Five and as complex as Don Quixote.
Beautiful Sentence Diagrams
The Heyday of Memoir
Recommended Reading: This review of Mary Karr’s The Art of Memoir over at Slate. For a bit on Karr and some other Catholic writers with whom she is often associated, here’s an essay from The Millions.
Clickity Clack
Where did Modernism come from? Did it spring from the alienation engendered by the nineteenth century? Or did it spring instead from — as Hannah Sullivan argues in her new book, The Work of Revision — the typewriter?
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Readers and Returns
“I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program.” At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.
Happy Birthday, W.C.W.
William Carlos Williams‘s birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that “today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists” Kirsch still has to face the question, “why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?”
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“Elite parasol game.”
Here’s a treat for those of us occupying the center of a Venn Diagram depicting “college football” and “literature” circles: Holly Anderson has written a high school football scouting report for Daisy Miller… in the style of Henry James.
O Detroit
You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.
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Ping-ping-ping
Back in July, Evan Allgood interviewed Alina Simone for The Millions. The writer and indie rocker talked about her new book and the phenomenon of “gilded turds” in the art world. Now, at Full-Stop, Jordan Kisner conducts his own interview with Simone, who tells him that “we’re in this age where every three seconds you’re getting pinged by some weird ‘ask’ that is almost like an invitation to a new life.”
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