There’s a scandal gaining traction in the UK, and it involves sending books through the mail. The country’s justice secretary, Chris Grayling, is standing by a new law that bans inmates from receiving parcels of books. According to him, the law is intended to make inmates “earn [their] privileges.” (h/t Page-Turner)
Bad Behavior
To Grit or Not To Grit?
Recommended Reading: On whether or not “grit” is the true key to workplace (and lifetime) success. Angela Duckworth, author of Grit: The Power of Passion and Perseverance, says yes.
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Someone’s in Hot Water
Sure, James Cameron’s deep sea dive was cool, but talk to me when he does it in nuclear waters. Then I’ll be impressed.
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Not Exactly Rotten
According to a recent survey, Danes are the happiest people in the world. This came as a surprise, writes Mathilde Walter Clark, to most of her fellow Scandinavians, who know very well the unhappier elements of their daily lives. The problem, she suggests, is that words like “happiness,” “ambition” and “contentment” have subtly different meanings in different languages — in other words, happiness in Denmark isn’t the same thing as happiness in America. You could also read our own Emily St. John Mandel’s review of the Danish writer Jonas T. Bengtsson’s A Fairy Tale.
iCat
The first feline review of the iPad is in. According to Iggy the cat, the game Noby Noby Boy and the Magic Piano iPad ap are quite enjoyable (c/o Kotaku).
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Tuesday New Release Day: Rakow; Hauser; Le Guin
Out this week: This Is Why I Came by Mary Rakow; The Baker’s Tale by Thomas Hauser; and Late In the Day, a new collection of poems by Ursula K. LeGuin. For more on these and other recent titles, check out our Great Second-Half 2015 Book Preview.
The Future Is Near
Wallace Shawn has written a new play, and it’s unsettling to watch. In it, a group of wealthy, middle-aged party hosts reveal their roles in a dystopian future, where political murders, random beatings and censorship are all commonplace. In an essay for The New York Review of Books, Francine Prose reviews the play in the context of Shawn’s other works.
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