In mid-January, ten days after moving to California, Geoff Dyer suffered a stroke while throwing away trash in his new home. At the hospital, he recovered quickly, but the incident left him “conscious that the ground could open Adairishly beneath my feet at any moment.” In the LRB, he writes about the experience. (Related: Dyer wrote two Year in Reading entries for The Millions.)
“She told the students not to explain too much, that they could throw in expressions in Igbo or Yoruba or pidgin and trust the reader to get it. She told them that even if a story was autobiographical it should be shaped—that, for instance, although in life you could have ten close friends, in fiction you could not, because it was too confusing. She told them to avoid inflated language—’never purchase when you can buy.'” A delightful (and somewhat rare) long profile of Chimamanda Ngozi Adichie in the New Yorker.
We’ve got some great stuff in the pipeline at The Millions, starting with a lierary magazine roundtable (part one of which will be up shortly), but before we get to that a couple of quick links:This week at the LBC we’re discussing our winter 2007 Read This! selection, Wizard of the Crow by Ngugl wa Thiong’o. A roundtable discussion kicks off a week that will include a contest, an interview, a podcast, and more.Speaking of the LBC, a past selection, and one of my favorites from among the books we’ve read, Firmin by Sam Savage, has been named a finalist for the Barnes & Noble 2006 Discover Great New Writers Awards. That little rat just keeps on trucking along.And finally, Robert Birnbaum sits down with Richard Ford (again) for another great interview. Thanks to Millions contributor Noah, we had some great coverage of Ford’s most recent book, The Lay of the Land, in November, including a review, a reader question, and a (very brief) interview..
Chris Adrian’s The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally — as none of the editions favored by The Atavist’s young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.