Writing Desire
(Don’t) Judge a Book by Its Cover
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
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High Praise for Rebecca Solnit
In a new issue of N1BR, Nikil Saval takes a look at Rebecca Solnit's latest, calling its predecessor River of Shadows "surely one of the best books of the past decade."
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Mutually Exclusive
Diehard fans of Herzog, Dangling Man and other great books by Saul Bellow will be interested to learn that the author, as revealed in a new memoir by his son, once asked himself the following question: “Was I a man or a jerk?”
Dreamland
Anyone who’s ever forgotten a million-dollar idea will attest to the maddening tendency of the subconscious to forget things. For many people, this extends to dreams, where the best ideas can pop up and die before the morning. But why is it so difficult to remember them? At Salon, the neuroscience behind our chronic inability to remember dreams. Related: Blake Butler’s innovative Year in Reading piece.
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You Know the Story
"Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it." On the inherent sameness of stories with John Yorke from The Atlantic.
The Poet Carried No Revolvers
Recommended Viewing: Go and check out the delightfully illustrated comic "Amiri Baraka Is in Contempt" by Nathan Gelgud at The Paris Review.
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Amis and Larkin: Frenemies
n+1 editor Keith Gessen wrote the introduction to Kingsley Amis’s rereleased novel Lucky Jim, and the folks at The New Statesman were nice enough to share it with all of us.