Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.
“He is for the most part interested in documenting the sources of our unusual suffering, those initial shocks that brought about the trauma in the first place. Nothing ‘languishes listlessly’ in his music; all those slowly orbiting fragments are drawn back together in furious rotation, sucked inexorably in, towards a volatile core. The mood never stabilizes; madness reigns supreme.” This piece by Tom Regel at The Rumpus on realism in the work of DJ/Producer Flying Lotus is both thorough and convincing.
The U.S. Library of Congress has named its newest poet laureate, reports The New York Times. Tracy K. Smith says, “I’m very excited about the opportunity to take what I consider to be the good news of poetry to parts of the country where literary festivals don’t always go. Poetry is something that’s relevant to everyone’s life, whether they’re habitual readers of poetry or not.” Pair with our review of Smith's memoir Ordinary Light.
"I think that every novelist of the kind of novels that I write has in them maybe one really good book, but the trouble with so many novelists is that they keep on writing novels even when they run out of ideas." Forrest Gump author Winston Groom on why it's taken him 20 years to write his new novel. Pair with our recent three-way interview with writers Emily Barton, Alexander Chee, and Whitney Terrell, all of whom needed a decade for their most recent books.
“Just as the written word changed the spoken word and the printed word changed the written word, so too will the digital word change the printed word, supplementing but not replacing the earlier forms of information technology.”