Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
What’s the one thing that Rivka Galchen envies about men? Well, “the envious thought was simply that a man can have a baby that his romantic partner doesn’t know about. This is a crazy thought, of course, but I find myself feeling it with such sincerity that I cannot see its edges.”
The shortlist for the Diagram Prize for the Oddest Book Title of 2010 has been announced. Among the hopefuls: Managing a Dental Practice: The Genghis Khan Way.
“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.
Recommended (Long) Reading: This lengthy excerpt from the latest book in Karl Ove Knausgaard’s My Struggle series. In it, Knausgaard is introduced to the literary world and stresses a great deal over his own claims to artistic merit: “Deep down, I was decent and proper, a goody-goody, and, I thought, perhaps that was also why I couldn’t write. I wasn’t wild enough, not artistic enough, in short, much too normal for my writing to take off. What had made me believe anything else? Oh, but this was the life-lie.”