After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.
Who You Gonna Call?
Tuesday New Release Day: Sayles, Mieville, Theroux, Habila, Drabble, Donoghue, Cronin
The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.
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Annie’s Pilgrimage
Annie Leibovitz discusses her new book Pilgrimage, and how the project became a journey of personal and artistic renewal.
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The Sagrada Família’s New Completion Date
The Sagrada Família, which Antoni Gaudí began designing in 1883, is due to be completed in 2026. Recently, 60 Minutes aired a feature on the masterpiece envisioned by “God’s architect,” and a new video depicts the work still be done, as well as what the church will look like when it’s finally completed. You can also take a virtual tour of the interior as well.
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Much Ado About Baltimore
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
‘Bout Goddamn Time
In The Guardian, Sam Leith reviews Holy Sh*t: A History of Swearing, a new book by Melissa Mohr. In it, Mohr argues that swearing just ain’t what it ****ing used to be, man.
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The Importance of Being Oscar
A new Oscar Wilde letter has been discovered, in which he advises a Mr. Morgan to “make some sacrifice for your art and you will be repaid but ask of art to sacrifice herself for you and a bitter disappointment may come to you.”