After the death of Harold Ramis, it seems only fitting to read Esquire’s oral history of Ghostbusters. Dan Aykroyd initially wanted it to be an intergalactic drama, yet he and others were happy with how it turned out. “People in the paranormal field loved it. It gave focus to their work,” Aykroyd said.
“For American readers, literary evocations of Korea have come, for the most part, in the form of dystopian novels written by people without any direct connection to the country.” Ed Park on reading Dalkey Archive Press’s series Library of Korean Literature, launched in collaboration with the Literature Translation Institute of Korea.
“For Germany, the Wagners are what the Atreidai are in Greek mythology. One of them, Atreus, committed a grave sin, casting a curse over all subsequent generations, beginning with Agamemnon and Menelaus, followed by Iphigenia, Orestes and Electra. The family is marked by enmity, as is the Wagner family.” On a certain influential composer.
“Robinson resists the notion of love as an easy antidote to a lifetime of suffering or solitude, suggesting that intimacy can’t intrude on loneliness without some measure of pain.” Leslie Jamison reviews Marilynne Robinson‘s latest novel, Lila, which was recently longlisted for the National Book Award.
MacArthur Genius™ Deborah Eisenberg, whom we’ve often celebrated here, publishes her 1,000-page Collected Stories this month – we ardently commend it to your attention. If you’ve read ’em all already, get your Eisenberg fix at the NYRB, where she reviews Dezsõ Kosztolányi‘s “quiet, shattering, perfect” novel Skylark.