It’s rare that Warren G. Harding gets much attention these days, which is why it’s all the more interesting that Sadie Stein’s father, when she was growing up, grew fascinated with the single-term president. At the Paris Review Daily, she recounts her family’s visit to Harding’s home.
Whither Chester A. Arthur?
Pitchfork and The Dissolve
Pitchfork Media announced last week that it will begin supplemented its popular music website with a new project dedicated to “reviews, commentary, interviews, and news about the films of the moment.”
Ferrante Furor
In case you missed it, this past weekend The New York Review of Books likely outed the author who’s been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante’s work. Might we suggest starting with this piece about The Neapolitan Quartet‘s subversive power?
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Books Nobody Reads
Maybe nobody read your first, or last, most recent or only book, but writer, take heart: nobody read the work of these 10 great authors either.
Hardcore Book Lovers
Recommended Reading: Ben Parker constructs a short history of hardcore music in his review of Tony Rettman’s NYHC: New York Hardcore 1980-1990 in n+1. Also, music for book lovers.
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The Pulitzer Underdog
The unlikely path of Tinkers from manuscript in a drawer to Pulitzer glory.
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Place to Place
“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.
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The Private, Intimate Sphere
Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
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