At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
What They Share
Brexit Blues
Recommended Reading: Jen Calleja offers a reading list to soothe your Brexit blues at The Quietus. “Like many people, I went through the five stages of Brexit – ‘oh well’, manic laughter, crying, rage, existential despair – in one day, and in the days that followed felt numb, nauseous, in doubt. But now it’s time to climb out of the mourning pit and work even harder than before at holding on to a European identity and keeping channels open to personal and literary dialogues with our European neighbours.”
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“No writer needs to be all the writers all the time”
Zadie Smith in conversation with Édouard Louis for the Document Journal. “Listening to the novelists Édouard Louis and Zadie Smith in conversation inspires a kind of hushed glee, a bliss familiar to eavesdroppers who encounter sublime discourse. ” How can you resist?
Keep Hope Alive
“Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away.” This seems a better time than most to revisit Rebecca Solnit‘s Hope in the Dark, an excerpt of which ran in The Guardian earlier this year. You can also read our review of Solnit’s The Faraway Nearby here.
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Paula Fox
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)
“It tasted like iron and foam was coming out of our mouths”
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.
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Genuinely Weird
Jeff Vandermeer‘s Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful “glimpse of a whole that’s, by its nature, unknowable”? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
Two Dollar Radio Moving Pictures
Indie press Two Dollar Radio announced today that they’re launching Two Dollar Radio Moving Pictures, a micro-budget film division. They’ll open with three new projects (announcement video here) funded by a newly-opened IndieGoGo campaign. Donors will not only be contributing to a worthwhile venture from one of America’s best small publishers, but they’ll also be in line to receive a heap of sweet perks from the likes of Grace Krilanovich, Karolina Waclawiak, Joshua Mohr, and Scott McClanahan. Bonus: publisher (and Millions contributor) Eric Obenauf spoke with Paul Martone for the Late Night Library podcast.
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