At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
What They Share
Paper Trail
“Please shred all documents up to and including this one.” – From Ben Greenman’s “Paper Trail” for McSweeney’s.
RIP Joe Frazier
The sports world lost a legend this week in Joe Frazier. In honor of Smokin’ Joe’s indelible mark on the sport of boxing, Byliner has gathered thirteen great stories on the sweet science. Also worth reading is George Plimpton‘s classic Sports Illustrated story on the Frazier vs. George Foreman fight in Kingston.
“Who Are You and What Are You Doing Here?”
In a piece for Oxford American, Mark Edmundson has an important message for incoming college freshpersons.
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Top Travel Books
Travel site WorldHum has created a top-100 travel books of all time list. The list includes many Millions favorites (Theroux, Kapuscinski, etc).
Body Language
I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)
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Sad Face
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
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