The Columbia Spectator is about to embark on “a list of 50 books that we think capture the essence of each state.”Daniel Menaker, former head of Random House, is set to host a new internet literary talk show called “Titlepage.” It will be modeled after “‘Apostrophes,’ a popular French literary program; ‘The Charlie Rose Show’ on public television; and ‘Dinner for Five,’ in which a group of actors discussed their craft, on the Independent Film Channel.” Guests on the first show include Richard Price and literary it-boy Charles Bock.Quite a resource: The Stanford Encyclopedia of Philosophy. Among the many entries: Death, God and Other Necessary Beings, Nothingness.We Feel Fine: Art from the hive mind.Landscape Urbanism Bullshit GeneratorFree Rice: procrastination fun for those with big vocabularies.The Corporation of London Libraries and Guildhall Art Gallery image database – huge, searchable collection of historical images of London, from which one can order prints.The Port Huron Statement, a part of the UVA Sixties ProjectTen Recurring Economic Fallacies – Put to rest “The Broken Window,” “The Beneficence of War,” and more.
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature — posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki’s argument that literature is a genre.
“Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive.” Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.