The Virginia Quarterly Review launched their redesigned website this week, and it’s a sight to behold. To celebrate the occasion, the magazine has dropped its paywall through Valentine’s Day, so start exploring. I recommend starting with Kevin Young’s recent poem, “There Is a Light That Never Goes Out,” which he composed entirely out of song lyrics.
VQR Debuts Redesigned Website, Lifts Paywall
“Books are an existential crisis”
Kyle Winkler, in an editorial for Vouched Books (which I’ve mentioned previously), writes that “books are an existential crisis” because we can’t possibly read them all.
“You are all going to die”
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
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Sundog Lit’s Games Issue
Sundog Lit is putting together their first theme issue, and it’s going to be all about “Games” of all types: video games, baseball games, Game of Thrones, etc… Fittingly, their guest editor for this issue will be Level End author Brian Oliu. Submission deadline is June 1st. If you need a little inspiration, you should check out Adrienne LaFrance’s take on MoMA’s video games exhibit.
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Bring On The Rejection
Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that “in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat.”
Not What You Said Before
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.
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The new Brooklyn novel
“Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments.” Our own Lydia Kiesling writes for Salon about the “caucasian, Ivy-educated writers of literary fiction set in Brooklyn” and the novels they’re producing, particularly the just-released-yesterday Friendship by Emily Gould.