How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
For the last couple days #badwritingtips, a collection of hilarious writing tips to take your novel from typical to terrible, have been trending on twitter. The Guardian rounded up a few of their favorites. Perhaps this advice will help out the unlucky souls retweeted on working on my novel.
Granta posts Salman Rushdie’s 1984 essay ‘Outside the Whale’ – a response to an essay by George Orwell about the political role of the artist: “If writers leave the business of making pictures of the world to politicians, it will be one of history’s great and most abject abdications.”
The Rumpus’s Stephen Elliott is using Kickstarter to raise money for the film adaptation of his novel Happy Baby. However you could also fund the project in a more three dimensional plane by attending November 29th’s Fundraising Party (which we’re co-sponsoring!). The party will include comedy by Eugene Mirman and readings by Jami Attenberg and Rick Moody.
Wallace Shawn has written a new play, and it’s unsettling to watch. In it, a group of wealthy, middle-aged party hosts reveal their roles in a dystopian future, where political murders, random beatings and censorship are all commonplace. In an essay for The New York Review of Books, Francine Prose reviews the play in the context of Shawn’s other works.
It’s two weeks past Mardi Gras, so you’re probably ready to revisit New Orleans by now. Good timing. Narrative.ly has a week’s worth of stories on the Big Easy, entitled “Beyond Bourbon Street.” (Related: I recommend reading Tulane’s Richard Campanella’s recent piece for Design Observer: “Hating Bourbon Street.”)