How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation — was the author simply having a midlife crisis?
“Unlike, say, skimming a page of headlines, reading a book (of any genre) forces your brain to think critically and make connections from one chapter to another, and to the outside world. When you make connections, so does your brain, literally forging new pathways between regions in all four lobes and both hemispheres. Over time, these neural networks can promote quicker thinking and may provide a greater defense against the worst effects of cognitive decay.” Readers Digest compiles the latest research about why you should read (via Book Riot).
When The New York Times tried to ask Jhumpa Lahiri what immigrant fiction inspired her, she smacked the question down by saying there is no such thing as immigrant fiction. “If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction.”
Test your knowledge of famous settings and / or fantasize about living in a “secluded picturesque manor with history” or a “palatial long island home” perfect for parties: “Classic Houses in Literature Go on the Imaginary Real Estate Market – a Quiz.”
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts “one of the best voices to come out of literature in the last…oh, ever, probably”), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.