How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
Last Friday marked the feast day of Francis de Sales, better known as the patron saint of writers and journalists. The saint, who lived in the late 14th and early 15th centuries, got his title thanks to his propensity for using flyers and pamphlets to convert people to Catholicism. At The Paris Review Daily, Dan Piepenbring reads the saint’s most famous work, Introduction to the Devout Life.
“Up until very recently, I’d recount my online experiences with some degree of shame or sheepishness, but in this apocalyptic year of 2012, that embarrassment is beginning to fall by the wayside. I’ve been having more and more conversations with people grappling with what is gained and lost by how some of our most meaningful musical discoveries– not to mention life experiences– have happened in front of, or facilitated by, screens.” Over at Pitchfork, a new column dedicated to the intersections between digital and ordinary life – and the art these interactions can produce.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
Many feared the permanent loss of thousands of precious manuscripts and relics after insurgents razed Timbuktu’s Ahmed Baba Institute of Higher Learning and Islamic Research. The Institute was home to over 30,000 manuscripts dating back to the 13th century. Or was it? In a fascinating report, Rukmini Callimachi details the extraordinary efforts of the some passionate locals that wound up saving much of the collection.
Visual Editions wants to send photographer Jacob Robinson to La Mancha… by way of camper van. Along the way, he’ll be tasked with “captur[ing] the spirit of Don Quixote” on film and combining his shots with text from Miguel de Cervantes’s novel in order to create a re-imagined, “faithful and contemporary” edition. You can find out more on the effort’s Kickstarter page.
New this week: Stone Mattress: Nine Tales by Margaret Atwood; The Paying Guests by Sarah Waters; My Life as a Foreign Country by Brian Turner; Wallflowers by Eliza Robertson; On Bittersweet Place by Ronna Wineberg; Love Me Back by Merritt Tierce; In the Red by Elena Mauli Shapiro; and Wolf in White Van by John Darnielle of The Mountain Goats. For more on these and other new titles, go read our Great Second-half 2014 Book Preview.