How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
"The morning after the opening sentence took shape, Heller “arrived at work”—at the Merrill Anderson Company—“with my pastry and container of coffee and a mind brimming with ideas, and immediately in longhand put down on a pad the first chapter of an intended novel.” The handwritten manuscript totaled about 20 pages. He titled it Catch-18. The year was 1953." Happy Birthday Joseph Heller, author of the anti-war classic Catch-22, born this day in 1923 in Coney Island, New York.
"Soldiers eat beef teriyaki and chicken cavatelli M.R.E.s in a war zone where 'armored ruins' line the roads, 'charred corpses scattered in among the blasted metal'; and sniper fire and I.E.D. ambushes are a constant threat: 'the chaos out there, the crazy Arabic writing and abu-jabba jabber, the lawless traffic, the hidden danger and buzz and stray bullets and death looming from every overpass.'" Michiko Kakutani reviews Roy Scranton's War Porn for The New York Times. Here's an old review from The Millions that shares a bit of Scranton's lingering sentiment regarding the war.
David Fincher, who helmed the American cinematic adaptation of The Girl with the Dragon Tattoo, may join the team working on the film for Gillian Flynn’s Gone Girl. Flynn herself penned the first draft of the screenplay. As you wait (im)patiently for the project to get underway, you can take our own Michael Bourne’s advice and treat yourself to Flynn’s earlier books.