As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
“I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages.” Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
For everyone who likes typography and arguments, New York Magazine has a story up that covers the type designers Jonathan Hoefler and Tobias Frere-Jones and follows the pair through their success to their ultimate rift. For those who prefer debates with more immediate impact, Mental Floss has a breakdown of the best shots fired in the fight over the Oxford Comma.
“I became completely obsessed.” At the 92nd Street Y, Rebecca Skloot shares the story behind her bestseller, The Immortal Life of Henrietta Lacks, joined by members of the Lacks family and actress Rose Byrne, who plays Skloot in the forthcoming film adaptation of her book. Skloot also discusses how the subject of the book is intimately linked to her own father’s health crisis, which Amy Halloran wrote about in our own pages a few years back.