As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
A July 2009 interview at bookish us with National Book Award nominee Bonnie Jo Campbell. Interesting especially is the question (and answer) about how/why American Salvage, the only book from a small press among this year’s NBA finalists, ended up with Wayne State University Press (with an initial print run of 1,500).
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
What do you get when you combine Jorge Louis Borges, Vladimir Nabokov, Pablo Neruda, and W.H. Auden? You get a list of the losers of the 1965 Nobel Prize in Literature. The prize was won by the controversial Soviet author Mikhail Sholokhov, who had spoken out against granting the Nobel to Boris Pasternak a few years earlier. Not such bad company on the losing side, there.