As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
Twitter’s Poetics, Twitter’s Bots
A Taste of Saudade
Interview with Bonnie Jo Campbell
A July 2009 interview at bookish us with National Book Award nominee Bonnie Jo Campbell. Interesting especially is the question (and answer) about how/why American Salvage, the only book from a small press among this year’s NBA finalists, ended up with Wayne State University Press (with an initial print run of 1,500).
Jenny Zhang on the Importance of Funny Writers
Jenny Zhang on "the hardest and most worthwhile thing to achieve in writing:" making people laugh.
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A Murky Origin Story
“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
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It’s the opposite of a happy ending fairy tale. It’s just hell.
Lauren Groff interviewed over at Full Stop about her novel Arcadia, which was a Millions Staff Pick in April.
Good Company
What do you get when you combine Jorge Louis Borges, Vladimir Nabokov, Pablo Neruda, and W.H. Auden? You get a list of the losers of the 1965 Nobel Prize in Literature. The prize was won by the controversial Soviet author Mikhail Sholokhov, who had spoken out against granting the Nobel to Boris Pasternak a few years earlier. Not such bad company on the losing side, there.
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Fine By Themselves
Was Virginia Woolf right that the Brontës were too isolated? Or were they just as housebound as their art required them to be? In the latest Atlantic, Judith Shulevitz examines the lives of the family, teasing out evidence that they all used loneliness to their benefit.
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With Very Small Font, Of Course
Ireland debuted a new stamp featuring a 224-word short story written by Dublin teenager Eoin Moore.
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I don’t fangirl over any author like I fangirl over Teju Cole. So dreamy.
I don’t fanguy over any botmaker like I fanguy over Darius. Except maybe @samplereality.