As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”