As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
Twitter’s Poetics, Twitter’s Bots
Galileo’s Taste; Galileo’s Work; Galileo’s Life
Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
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Finding “the fountainhead of the humanities”
Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
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Protest Con
Book Riot reports that Planned Parenthood “staged a protest of the GOP’s healthcare (or lack thereof) bill” with red-robed Handmaids. Pair with Tara Wanda Merrigan‘s review of the Hulu adaptation of Margaret Atwood‘s classic: “While transforming Offred into a stereotypically empowered representation of a woman may make the show more appealing to some viewers, I found it disheartening.”
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Designing ‘The Laughing Monsters’
Continuing our conversation on book covers: a look at rejected designs for Denis Johnson‘s The Laughing Monsters.
I don’t fangirl over any author like I fangirl over Teju Cole. So dreamy.
I don’t fanguy over any botmaker like I fanguy over Darius. Except maybe @samplereality.