After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
“Train time is found time.”
Hazlitt, will publish.
Random House Canada launched a new website yesterday, and a new internet magazine to go along with it. There’s a piece from Hari Kunzru on Werner Herzog, and I’m especially taken with this one from Emily Landau on Christopher Hitchens and David Rakoff.
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The Irish Console The Irish
Over at Vol. 1 Brooklyn, Nick Curley prescribes “five passages from great Irish writers” as a means of coping with Notre Dame’s recent loss to Alabama in the college football BCS National Championship Game.
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The Adventures of Getting Rich Quick
“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.
A Conch Republic Treasure Trove
A U.S. Navy commodore’s 1823 General Order announcing the imminent seizure of Key West – at the time known as Allenton – has been obtained, along with “1,000 other pieces of the island’s history,” by the Monroe County Public Library. The collection also includes a book from 1858 written by William Curry, “a penniless Bahamian immigrant who became Florida’s first millionaire.” Best of all? You can view some of the cache online.
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Muses and Bodies and Art and Grief
Recommended listening: David Naimon talks with Lidia Yuknavitch about “Muses, Bodies and Biography.” Pair with Yuknavitch’s Millions essay on art and grieving.
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Finding “the fountainhead of the humanities”
Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
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