Stephen King’s next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it’s about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling’s essay on her love of King novels.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.
“It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing.” BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US’s first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today’s Native Americans.