Recommended Reading: Brian Oliu’s “Owen Hart & The Finite Life of Ropes,” which is damn sure the best piece of writing you’ll ever read about a professional wrestler’s death.
“[Virginie] Despentes has become a kind of cult hero, a patron saint to invisible women: the monstrous and marginalized, the sodden, weary and wildly unemployable, the kind of woman who can scarcely be propped up let alone persuaded to lean in.” On Virginie Despentes’s Bye Bye Blondie and French feminist pulp that pulls no punches.
A couple of weeks ago, I pointed readers to the trailer for Olive Kitteridge, the new HBO show based on the Pulitzer-winning novel by Year in Reading alum Elizabeth Strout. In this week’s New Yorker, Emily Nussbaum sizes up the new series, describing it as a case study in bringing a work of fiction to the screen. “In the course of four hours, the miniseries casts a West Coast spell on scenes of Yankee repression,” she writes.