Whether you admire the work of e.e. cummings or think of him mainly as the inspiration for your high school’s worst poet, you’ll enjoy this excerpt of Susan Cheever’s new biography, which touches on the poet’s later years and his relationship with Cheever’s father. The two (contrasting) money quotes here are Malcolm Cowley’s claim that cummings was “the most brilliant monologuist I have known” and this exasperated question posed by Helen Vendler: “What is wrong with a man who writes this?
Bud offers a charming man about town piece that touches on the intersection of technology and culture.One of my biggest on-the-job challenges back when I was a bookseller was recommending books for finicky teenagers. In an effort to take some of the guesswork out of this endeavor, Anita Silvey, a professor of children’s literature at Simmons College in Boston, wrote 500 Great Books for Teens. Scripps news prints 20 of those recommendations, including The Curious Incident of the Dog in the Night-Time by Mark Haddon, A Long Way Down by Nick Hornby, and, of course, The Catcher in the Rye by J.D. Salinger.Germany is prosecuting seven men for burning a copy of The Diary of Anne Frank, in a case that highlights the symbolic power of books.And in Trenton, NJ, librarians are accusing a library accountant of refusing to purchase the novel Whore by Tanika Lynch for the library’s collection because “he objected to the title.”
“People in the publishing industry were complaining that ‘everyone is a writer now.’ I thought, well, why fight that? Isn’t that a good thing?” Andy Hunter, Publisher & COO of Catapult, Publisher of Literary Hub, and Co-Founding Chairman of Electric Literature, talks about the impetus for his three ventures.
“We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate.” The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, “what it is they do, why they do it and why it matters.”