“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
“That’s why I’m organizing this fundraiser for Planned Parenthood, because for me the right to say what happens to my body is the right to make art.” Year-in-Reading alum Claire Vaye Watkins has launched “Dabbler’s Ball,” an art auction featuring work by some other boldtype names you might know (Ramona Ausubel, Lauren Groff, Tom McGuane, Emma Straub). Bidding runs until September 5th and 100% of the proceeds will go toward the venerable PP. See also: our reviews of Vaye Watkins’s novel Gold Fame Citrus and Battleborn, her first story collection.
The Financial Times takes a detailed look at the Financial Computing Centre, home of future quants, where Michael Galas is working to build “a hedge fund without employees” and a crop of PhD candidates are using social media to predict the markets. Could these algorithms one day spill beyond finance, and influence education or social sciences?
A Canadian Ph.D. student wrote (and successfully defended!) a 52,000 word dissertation that features almost no punctuation. Titled “Indigenous Architecture through Indigenous Knowledge,” the dissertation has no periods, commas or semi-colons, a choice intended to “make a point” about colonial and aboriginal identity. Canada’s National Post has the story.