George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.