Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.
Celebrate today's arrival of John Irving's new novel Last Night in Twisted River by seeing where it falls on Wikipedia's John Irving recurring themes matrix. Also new today is Paul Auster's Invisible and a new collection of Paris Review interviews (including, among others, Marilynne Robinson, Haruki Murakami, Philip Roth). Speaking of Roth, his new novel The Humbling came out last week.
Read our own Kaila Philo's essay on Toni Morrison's new book The Origin of Others and then pair it with Nell Irvin Painter's reflection on 'Toni Morrison’s Radical Vision of Otherness.' "Morrison’s history of Othering represents an intervention in history on several fronts. Although the theme of desegregating the literary canon reappears in The Origin of Others, times have changed since Playing in the Dark. Surely thanks to the more multicultural, multiracial canon that Morrison helped foster, no respectable version of American literature today omits writers of color."
From Letters of Note, the correspondence between Fitzgerald and his editor upon the former's completion of The Great Gatsby (including Fitzgerald's suggestion for an alternative title: Gold-hatted Gatsby). In response to the many endings of A Farewell to Arms, Slate cooks up 48 canned, alternative endings for Fitzgerald's masterpiece.
Things you can learn about Teddy Wayne from his essay in the New York Times Book Review: one, his first name is Derek; two, he believes the modern lit world is crazy for guys named Jonathan; and three, he once considered using the pen name D.T. Wayne. (For more, you could go read our interview, or else check out our review of his latest novel.)
Peter Hedges, author of the novel and screenplay for What's Eating Gilbert Grape?, as well as Dan in Real Life, and Pieces of April, is set to adapt and direct his latest novel, The Heights. Set in Brooklyn Heights amid its wealthy, over-zealous, stay-at-home mommy set, the novel follows a happy, slightly down-at-the-heel couple as their marriage is tested by the arrival of another woman. (All of the wit of Tom Perrotta's Little Children, but not quite so dark and cynical.)