Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.
A hundred years after the First World War began, many people are looking anew at the conflict, among them Thomas Laquer, who wrote a lengthy reflection of its causes in an LRB review of Christopher Clark's The Sleepwalkers. In The New Yorker, George Packer uses the war as a jumping-off point for an essay on a broader topic: the evolution of war literature in the modern world.
At the LARB, Anne Trubek quotes Lionel Trilling in a review of The Son and American Rust, the two books published thus far by New Yorker 20 Under 40 alum Phillipp Meyer. “In the American metaphysic,” Trilling wrote in his essay "Reality in America," “reality is always material reality, hard, resistant, unformed, impenetrable, and unpleasant.” Those of you who read our pieces on both books may be able to guess why the quote is relevant.
At Full Stop, the editors interview Susan Bernofsky, who directs the literary translation program at Columbia and has published translations of works by Robert Walser, among other writers. She talks about German phrases that rarely appear in English, as well as the ethics of translating a work faithfully: “I think it’s the translator’s responsibility to be so attuned to the requirements of a given text (and the universe of the author) that these inevitable interventions are always appropriate and never arbitrary or willful,” she says. You could also read Tanya Paperny on the translator Michael Henry Heim.
Forgive us for being slow on the uptake, Colorado residents, but this is the first I'm hearing of Aspen Public Radio's First Draft radio show, which features interviews with numerous authors of wide acclaim. A casual glance at the show's online archives, for instance, turns up the likes of Paul Harding, Kevin Barry, Laura van den Berg, Edwidge Danticat, and Ben Fountain. (h/t Edan Lepucki)