Recommended Listening: Florida Memory’s great collection of Zora Neale Hurston singing.
Songs of Zora
Writers Bloc Series
In Zadie Smith's introduction to the Writers Bloc series, she writes that the program sought essays "that were not only pious, charitable or analytical but also readable, engaging, exciting." The essays published by Guernica certainly meet this criteria. I particularly recommend Aleksandar Hemon's essay on first graders in Bosnia and Herzegovina.
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Thanks for Nothing, Dickens
Want to publish anonymously (and then stay that way)? Be thankful you're not friends with Charles Dickens.
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“Platonic Word”
Recommended reading: Edward Mendelson reflects on "how bizarrely Platonic [Microsoft] Word can be" and on writing in WordPerfect, where "the world seems more open, a place where endings can’t be predicted, where freedom might be real."
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A Massive Online Close Reading
On February 17th, the University of Iowa’s International Writing Program will launch a free digital course open to everybody with an internet connection. The course is entitled “Every Atom: Walt Whitman’s Song of Myself,” and registration is now open. The course will “take a collective approach to a close reading of America’s democratic verse epic."
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Fathers and Daughters
A writer in her own right, Sybille Lacan reflects on her experience as the daughter of famous psychoanalyst Jacques Lacan. She writes, “Father, for our birthdays, would give us superb gifts (I believe it took me far too long to understand it was not he who had picked them out).”
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Murakami’s Latest is Flying Off the Shelves
Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)
The View from Out Here
“Sometimes I fear that Midwestern authors are seen from a similar vantage point: that many of us are 'fly-over writers' to whom readers wave (or just ignore completely) as they make their way to Saul Bellow and Stuart Dybek and Marilynne Robinson. I fear that these bigger names, along with a few others (Charles Baxter, Lorrie Moore), are seen as exceptions to the general rule that little of cultural worth grows in this flat, middle stretch of the country.” On the plight of the literary Midwesterner.
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