Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his “English reality” has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
Slightly Off
Beverly Cleary and the Beauty of Bad Moods
Kathryn VanArendonk reflects on the life and work of Beverly Cleary, who portrayed children with all their complexities, tantrums, and anger included.
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Jeff Baskin Writers Fellowship
Submissions are open for the Oxford American‘s Jeff Baskin Writers Fellowship, which awards a $10,000 living stipend, housing, and an editorial apprenticeship toward a nine-month residency with the magazine. The goal is to support the writing of a debut work of creative nonfiction, and the application deadline is midnight EST, March 30, 2017.
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A Review in Comics
Book reviews are great and all, but even we sometimes feel they’re missing something. Enter Kevin Thomas, whose HORN! illustrated reviews for The Rumpus are beautiful and informative in under 9 panels. Compare his pieces on Roxane Gay‘s An Untamed State or Leslie Jamison‘s The Empathy Exams to our reviews here and here, and be sure to check out the just-published HORN! The Collected Reviews.
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An American Poem
“I offer you a moody campaign!” Illustrator Nathan Gould revisits the 1992 presidential election, in which badass feminist (and really great writer) Eileen Myles ran as an “openly-female” write-in candidate.
The Ness Files
It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”