The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
As the publication date nears for Robert Caro's latest Lyndon Johnson installment, The Passage of Power, it's a good idea to brush up on your history of Caro's career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.
Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.