The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
Recommended Reading: Nicola Kraus and Emma McLaughlin on writing for free (or not).
"Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process." For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we're a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.